Tag Archives: Renshô
James Joyce at Ichi-no-Tani with a Glass Harmonica
Contributed by Kevin Salfen Assistant Professor of Music History, University of the Incarnate Word This summer I heard the flute that Renshō heard and thought of Joyce’s “The Dead.” In early August in Bloomsburg’s heat and bugs I heard the … Continue reading
Atsumori (敦盛): Final Scene
Video of the final scene from the takigi noh performance of “Atsumori,” Bloomsburg Town Park August 3, 2012. Performed as part of the Noh Training Project under the auspices of the Bloomsburg Theatre Ensemble (and the cooperation of Bloomsburg University … Continue reading
Atsumori (敦盛): Otoko-Mai (男舞)
Video of the otoko-mai from the takigi noh performance of “Atsumori,” Bloomsburg Town Park August 3, 2012. Performed as part of the Noh Training Project under the auspices of the Bloomsburg Theatre Ensemble (and the cooperation of Bloomsburg University of … Continue reading
Crossing Ikutagawa
Reflections on the journey of the monk Renshô from Kyoto to Ich-no-tani before his encounter with the spirit of Atsumori. South the Moon and South from the Capital Renshô walks through the dusk of August heat his shadow grown long … Continue reading
Happy Stone
Happy Stone – A Sixth Category Play about a Waki Contributed by James Goode James: Time is rushing forward. Time is rushing forward. It is lunch break on Wednesday of the third week of the Noh Training Project, or as … Continue reading
蓮生
Reflections on the monk Renshô, participant in the battle of Ichi-no-tani, March 18, 1184. Renshô stands looking out over the face of the waters at Suma no Ura. An echo of horses and the desperate sighs of the fallen merged … Continue reading
Learning and Teaching Nohkan
Contributed by Mariko Anno This summer marks my second year teaching the nohkan (noh flute) at the Noh Training Project (NTP). It has been an honor teaching an instrument that I love, making it more approachable and playable for my … Continue reading
Renshō
(Additional reflections on the battle of Ichi-no-tani, March 18 1184) Renshō awakens to find the world is fragile like a dream. In ages past he took the lives of men and youth he dashed their souls from their bodies, the … Continue reading
Mae-shite
Contributed by David Surtasky My role is mae-shite. Lead actor of the first half, one of the grasscutters. In a traditional noh, the mae-shite and nochi-shite would be the same person, but in our production we’ve divided the role between … Continue reading