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Kinuta (砧)
[Editor’s note: in Eileen Katō’s forward to her translation of Kinuta (Monumenta Nipponica, Vol. 32, No. 3 (Autumn, 1977), pp. 332-346) she quotes Zeami as saying of this work: Once on a quiet night, while listening to the music of … Continue reading
Posted in Noh Play Synopses, Noh plays
Tagged anguish, ashiya, catalpa bow, 砧, fourth category play, fulling-block, Kanze Motokiyo Zeami, Kinuta, longing, noh, noh play summary, sobu, Yūgiri
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Aoi no Ue (葵上)
Contributed by David Surtasky Aoi no Ue (summary) A fourth category play attributed to Zeami (At the front of the stage is laid a kosode representing the stricken Lady Aoi.) A courtier arrives and announces that he serves the retired … Continue reading
Posted in Noh Play Synopses, Noh plays
Tagged aoi-no-ue, azusa-yumai, broken carriage, catalpa bow, 葵上, five myō-ō, fourth category play, hannya, hikaru genji, lady aoi, Lady Rokujô, noh, noh play, noh play summary, priestess teruhi, Rokujō no Miyasudokoro, sanmitsu-no-gyōhō, Shugen-dō, spirit of lady, yamabushi, Yokawa-no-kohijiri, zeami
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