Category Archives: Noh plays

能面: The Spirit of Noh

Contributed by Jeffrey Dym [EDITOR’S NOTE: Below is some welcome background on Jeffrey Dym’s new documentary, which you can view in it’s entirety in the link below. We’re grateful to Jeffrey for his work on this project, his considerable dedication, … Continue reading

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Noh Training Project Tokyo 2018

Noh Training Project Tokyo 2018 June through July, 2018 Japan 2017’s Tokyo workshop was the first held in collaboration with the Kita School and was so successful that this year’s is even more expansive and diverse. Four separate workshops will … Continue reading

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“Gettysburg” – A journey begins

[Editor’s Note: Below are author Elizabeth Dowd’s thoughts and comments in part about the process of writing her new English-language noh “Gettysburg,” with music by David Crandall. This commentary was written in November of 2016, and the piece had its … Continue reading

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When there is No Dog

[EDITOR’S NOTE: Part of the continuing conversation surrounding Carrie Preston’s  Zahdi Dates and Poppies, premiering on March 30, 2016 at the Tsai Performance Center, Boston. Please consider providing your support by visiting the project’s funding page.] Contributed by David Surtasky … Continue reading

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Finding the Dog in Noh, and Leaving it Alone

[EDITOR’S NOTE: Ms. Preston provides some insights concerning her new work  Zahdi Dates and Poppies, premiering on March 30, 2016 at the Tsai Performance Center, Boston. Please consider providing your support by visiting the project’s funding page.] Contributed by Carrie … Continue reading

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Water Masks, Water Songs

Contributed by Linda Ehrlich In San Antonio, a city with a beautiful RiverWalk that reminds me of Kyoto. The WHERE RIVERS MEET event is in full swing, with film showings, practices for theatrical performances, and arts events. I’ve been helping … Continue reading

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Girl in the Grave Mound

[EDITOR’S NOTE: Ms. Kagan-Dubroff recently performed the kokata role in the English-language adaptation of Sumidagawa “Sumida River,” in South Texas. The kokata (子方) role in the play is a depiction of the Spirit of a Dead Boy. During almost all … Continue reading

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