Contributed by David Surtasky
Photographs by David Surtasky
Japanese Textiles and the Art of Sculpting Kimono,
Theatre Nohgaku’s Costume Workshop, June 2014 (Pt. 5)
The below gallery is a collection of photographs of the process of dressing a noh actor as being practiced by participants in the TN 2014 Costume Workshop. Being dressed are Yayoi Shinoda, Gwen van den Eijnde and Aragorn Quinn with assistance by Oshima Teruhisa, Oshima Kinue and Oshima Masanobu. Photographs taken at 喜多流大島能楽堂 with many thanks for the gracious courtesy of the entire Oshima family.
Oshima Kinue & Gwen van den Eijnde
Oshima Kinue & Gwen van den Eijnde
Oshima Kinue
David Surtasky
Fabric detail
Costume storage bag, paper
Aragorn Quinn
Aragorn Quinn
Gwen van den Eijnde
Gwen van den Eijnde
Yayoi Shinoda
Yayoi Shinoda
Yayoi Shinoda
Gwen van den Eijnde & Oshima Masanobu
Fabric detail
Yayoi Shinoda & Gwen van den Eijnde
Gwen van den Eijnde & Oshima Kinue
Yayoi Shinoda & Gwen van den Eijnde
Yayoi Shinoda & Gwen van den Eijnde
Hannya mask & wig
Paper crown
Paper crown detail
Paper crown detail
Fan detail
Prop drum detail
Prop drum detail
Tools of the trade
Item detail
Oshima Kinue, Yayoi Shinoda, Gwen van den Eijnde, Ryoji Terada
Aragorn Quinn, Oshima Kinue
Aragorn Quinn, Oshima Kinue
Yayoi Shinoda, Gwen van den Eijnde with Ryoji Terada & Oshima Teruhisa
Oshima Teruhisa, Gwen van den Eijnde, Yayoi Shinoda
Oshima Teruhisa, Gwen van den Eijnde, Yayoi Shinoda
Fabric detail
Yayoi Shinoda
Yayoi Shinoda
Yayoi Shinoda
Yayoi Shinoda
Yayoi Shinoda, Oshima Teruhisa
Child noh actor
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About Theatre Nohgaku
Noh, one of the oldest continuing stage arts, combines highly stylized dance, chant, music, mask and costume with intense inner concentration and physical discipline, creating a uniquely powerful theatrical experience.
Theatre Nohgaku’s mission is to share noh’s beauty and power with English speaking audiences and performers. We have found that this traditional form retains its dramatic effectiveness in languages other than Japanese. We believe noh techniques hold a powerful means of expression in the context of contemporary English language theatre.